{"id":3350,"date":"2018-11-12T19:27:36","date_gmt":"2018-11-12T18:27:36","guid":{"rendered":"http:\/\/maeloudin.com\/en\/blog\/portfolio\/cuernavaca\/"},"modified":"2018-11-26T02:36:05","modified_gmt":"2018-11-26T01:36:05","slug":"cuernavaca","status":"publish","type":"portfolio","link":"http:\/\/maeloudin.com\/en\/portfolio-2\/cuernavaca\/","title":{"rendered":"Cuernavaca"},"content":{"rendered":"

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Jacques Vidal<\/h1>\n

Cuernavaca<\/h2>\n

Soupir Editions, 2014<\/h5>\n<\/div>\n

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  1. Wednesday Night Prayer Meeting & Better Get Hit in Your Soul<\/li>\n
  2. Cuernavaca<\/li>\n
  3. Devil Woman<\/li>\n
  4. Eclipse<\/li>\n
  5. Strange Man<\/li>\n
  6. O.P.<\/li>\n
  7. Ecclusiastics<\/li>\n
  8. For Lester<\/li>\n
  9. Goodbye Pork Pie Hat<\/li>\n<\/ol>\n

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    “It’s the Mingus blues and gospel colors that I’ve chosen for this new album, genres that have shaped his musical personality almost as much as classical music or Duke Ellington.<\/span><\/em><\/p>\n

    As usual, I did not try to “interpret” Mingus, to play his music identically, but to restore it with arrangements that allow me, without contradicting it, keeping the background (its characteristic energy) to bring my sensitivity, my culture, my references. I’m looking for orchestrations he did not use (choirs for example, or I chose an intimate formula – the trio – for Eclipse, while the Mingus versions are orchestral).<\/span><\/em><\/p>\n

    I appealed to Ma\u00ebl Oudin’s talent for certain arrangements and enjoyed working with him. “<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n

    Jacques Vidal<\/strong><\/p>\n

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